accordions sterling range  
The Irish Bouëbe, Nuage, Swift, Tara, Atalante, Notos, Calirrhoé, Connemara II, Connemara III, Cheviot, Laurentides, Rivage, Solstice 12 basses, Solcistice 18 basses
  The Irish Bouëbe  
haut de page
 
  23 treble buttons, 2 voices.
8 bass with 1 stop to remove the third from the chords.
click to see the video: The Irish Bouëbe
  Nuage (utilisé par Mairtin O'Connor)      
haut de page
    23 treble buttons, 3 voices with 3 stops :
- 1 voice : concertina (single medium reed)
- 2 voices : double medium reeds.
(dry, swing or musette, according to voicing ) 
- 3 voices : double medium + single low octave reed 
- 2 voices : Bandoneon.
(single medium + single low octave reed) 
- 1 voice : single low reed
8 basses with 2 stops.
- 1 stop to remove the third from the chords.
- 1 stop to remove the low reed from the basses.
 Swift   haut de page


  21 treble buttons, 3 voices.
8 basses with stop the third from the chords.

"Available in cherry or red finish "
  Tara  
haut de page
    23 treble buttons, 4 voices with 4 stops :
- 4 voices allowing 11 different sounds
- 4 voices allowing 7 different sounds
2 stops
- 1 stop to remove the third from the chords
- 1 stop to remove the low reed from the basses
  Atalante Designed for Canadian music  
haut de page
    25 treble buttons, 3 voices with three stops
allowing 5 different sounds:
- 1 voice : concertina (single medium reed)
- 2 voices : double medium reeds (dry, swing or musette,
according to voicing)
- 3 voices : double medium + single low octave reed
- 2 voices bandoneon (single medium + single low octave reed)
- 1 voice : single low reed
On the left : 14 buttons.
- 12 with the usual system (6 bass + 6 chords) + 2 bass buttons
without chords,
- 2 voices chords, without the third.
  Notos  
haut de page
    21 + 2 accidental treble buttons, 2 voices.
8 basses with 1 stop to remove the third.
  Calirrhoé  
haut de page
    21 + 2 accidental treble buttons.
3 voices with three stops allowing 5 different sounds.
8 basses with 2 stops :
– 1 stop to remove the third from the chords.
– 1 stop to remove the low reed from the basses.
  Connemara II (utilisé par Mairtin O'Connor)  
haut de page
    23 + 4 accidental treble buttons, 2 voices.
12 basses with stop to remove the third.
  Connemara III  
haut de page
  21 + 5 accidental treble buttons, 3 voices
with three stops allowing 5 different sounds.
12 basses with 2 stops :
– 1 stop to remove the third from the chords.
– 1 stop to remove the low reed from the basses.
 Cheviot  
haut de page
    3 rows, 2 voices.
12 basses with one stop to remove the third.
  Laurentides  
haut de page
     34 treble buttons, 2 voices or
with one stop allowing two different sounds.
12 basses with 2 stops :
– 1 stop to remove the third from the chords.
– 1 stop to remove the low reed from the basses.
  Rivage  
haut de page
    21 + 5 accidental treble buttons, 3 voices,
3 voices instrument with 5 automatic couplers, located
behind the fingerboard, allowing 5 possible sounds :
– 1 voice : concertina (single medium reed)
– 2 voices : double medium reeds.
(dry, swing or musette, according to voicing)
– 3 voices : double medium + single low octave reed
– 2 voices : Bandoneon.
(single medium + single low octave reed)
– 1 voice : single low reed
12 basses with 3 stops.
  Solstice 12 basses  
haut de page
solstice 12 bassessolstice 12 basses   33 treble buttons, 3 voices instrument with 5 automatic
couplers, located behind the fingerboard,
allowing 5 possible sounds :
– 1 voice : concertina (single medium reed)
– 2 voices : double medium reeds.
(dry, swing or musette, according to voicing)
– 3 voices : double medium + single low octave reed
– 2 voices : Bandoneon.
(single medium + single low octave reed)
– 1 voice : single low reed
12 basses with 3 stops.
  Solstice 18 basses  
haut de page
    33 trebble buttons, 3 voices instrument with 5 automatic
couplers, located behind the fingerboard,
allowing 5 possible sounds.
18 basses with 4 stops.